Highland Community College

Clements Photography Opens Yost Spring Season

Clements Photography Opens Yost Spring Season

Clements Photography Opens Yost Spring Season

Last in the Woods, an exhibition of the photography of Alexis Clements, opens the spring season of exhibits in the Walter Yost Art Gallery on the campus of Highland Community College.  The Clements exhibit is open to the public each weekday from 9:00 am – 4:00 pm from January 9 to February 6, 2017.

Clements is a native of Missouri who has devoted the past eighteen years to the arts where she brings photographic attention illustrating personal connection to the landscape and how memories evolve into personal myths. Currently she resides in Denver where she is the Chair of Visual and Performing Arts and Associate Professor in the Multimedia & Graphic Design Department at Red Rocks Community College.

Clements submitted this description of her work.

The Portuguese term saudade describes a melancholic longing. I have had a lifetime interest in the melancholic. All the books, movies, visual art and music I find myself drawn to are threaded together through a love of longing. Last in the Woods begins in saudade, a word I am so thankful to have as no others describe the beauty I find in the melancholic.

I found longing in 2012 as it confronted me while trail running the woods of my childhood. I had been visiting my grandparents on the cusp of the eastern plains and the Midwest for the summer and found myself fascinated with the passing landscape. I had not realized that much of the atmosphere provided by the canopies of trees and the dense humid air shaped how I perceived the events of my early life. I never realized until that summer the extent to which this particular landscape has always haunted me. Maybe the act of leaving home enabled me to discover its profound mark on my psyche.

This landscape alternates between the protagonist and antagonist in my story. It is my Dr. Jekyll and Mr. Hyde. Childhood experiences in nature mark a time of innocence and yet, especially for me, the woods set the stage of the bittersweet as I sought refuge and was also forced into exile while trying to escape a difficult home life.

Through my lens there is a love of longing and more importantly a longing for escapism. When I enter back into the woods to create these images, I am escaping my present reality for reconstructing, very elusively, memories I have put on such a pedestal in my mind that they are nothing more than fictions. This work is meant to be seen as a psychodrama where the convergence of memory and reality begin to weave narratives of an unknown inner life. 

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